A song from Bhooth Bangla, 'Ram Ji Bhala Karein,' has been accused of echoing a classic Bengali track from Satyajit Ray's film 'Goopy Gyne Bagha Byne.' This has led to allegations of plagiarism.
'Nothing Wrong With It': Priyadarshan Defends 'Bhooth Bangla' Track Amid Plagiarism Controversy
Priyadarshan responds to plagiarism allegations around ‘Bhooth Bangla’ song, addressing comparisons with Satyajit Ray’s classic Bengali track.

- Director Priyadarshan addressed film song plagiarism allegations.
- A song in 'Bhooth Bangla' allegedly resembles a classic Bengali track.
- Priyadarshan cited word repetition and musical distinction.
- He emphasized respect for Satyajit Ray and lyrical context.
As anticipation builds around Bhooth Bangla, director Priyadarshan has finally addressed the controversy that has been stirring conversation online. The filmmaker, known for his distinctive storytelling style, spoke candidly at the trailer launch of the upcoming horror-comedy, headlined by Akshay Kumar.
At the centre of the debate lies a song from the film that some believe echoes a classic Bengali track. But is it really a case of creative overlap, or simply coincidence? Priyadarshan offered his perspective and it’s already sparking discussion.
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Director Responds To Plagiarism Allegations
The controversy stems from the track Ram Ji Bhala Karein in Bhooth Bangla, which features a hook line that listeners have linked to Bhuter Raja Dilo Bor from the iconic film Goopy Gyne Bagha Byne, directed by Satyajit Ray.
Addressing the claims head-on, Priyadarshan said, "Huge respect I have to him, he is one of the masters from whom I learnt cinema. Second, the word you are saying is Bhoot. Now, if I ask you, in how many songs the word ‘Deewana’ used in Indian cinema? That means that only the first person, who used the word ‘deewana’ has the right to use it. It's only a word. We can't use, if somebody uses two lines, everybody can use, but the tune has nothing to do with the song."
His remarks underline a key distinction between lyrical coincidence and musical composition, suggesting that repetition of common words or phrases does not necessarily amount to plagiarism.
‘There Is Nothing Wrong’
Backing his stance further, the director emphasised that the song’s lyrics were independently written and contextually relevant to the film.
He added, "The lyricist has written those lines, and that is why we were so confident there is nothing wrong in it, and there’s a context to it because the film is ‘Bhooth Bangla’, and you should also understand there is a previous film called ‘Bhoot Bangla’ as well. Naturally, that title is repeated now. So these things get repeated; there is nothing. I respect Satyajit Ray like the god of Indian cinema."
His defence points to the broader nature of creative repetition in cinema, where themes, words, and even titles often reappear across generations.
What To Expect From ‘Bhooth Bangla’
Directed by Priyadarshan, Bhooth Bangla brings together a strong ensemble cast including Akshay Kumar, Paresh Rawal, Tabu, Rajpal Yadav, Jisshu Sengupta, Asrani, Mithila Palkar, and Rajesh Sharma.
With its mix of horror and humour, the film is already generating buzz, but the ongoing debate around its music has only added to the intrigue.
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Frequently Asked Questions
What controversy is surrounding the film Bhooth Bangla?
How has director Priyadarshan responded to the plagiarism allegations?
Priyadarshan dismissed the claims, stating that the word 'Bhoot' is common and not unique to any one song. He emphasized that while the word is repeated, the tune of the song is entirely original and unrelated.
What is Priyadarshan's defense regarding the song 'Ram Ji Bhala Karein'?
He explained that the lyrics were independently written and relevant to the film's title, 'Bhooth Bangla.' He also pointed out the existence of a previous film with the same title, suggesting repetition is natural.
Who are some of the key cast members in Bhooth Bangla?
The film features a strong ensemble cast including Akshay Kumar, Paresh Rawal, Tabu, Rajpal Yadav, Jisshu Sengupta, Asrani, Mithila Palkar, and Rajesh Sharma.

























