Vaazhai Movie Review: Mari Selvaraj Delivers Another Raw And Realistic Masterpiece

Vaazhai movie review: In his previous works, Mari Selvaraj explored the harsh realities of caste oppression, and with 'Vaazhai', he takes inspiration from a true incident.

Vaazhai movie review: Mari Selvaraj, who entered the Tamil cinema scene with his groundbreaking debut 'Pariyerum Perumal' and followed it up with critically acclaimed films like 'Karnan' and 'Maamannan', has firmly established himself as one of the industry's top directors. His latest film, 'Vaazhai', continues his tradition of powerful storytelling.

In his previous works, Mari Selvaraj explored the harsh realities of caste oppression, and with 'Vaazhai', he takes inspiration from a true incident. What sets this film apart is his choice to tell the story from the perspective of schoolchildren, a fresh and bold narrative approach. But has he succeeded in this new endeavor? Let's find out.

Vaazhai: A Journey Back in Time

Much like 'Pariyerum Perumal' and 'Karnan', 'Vaazhai' is set in Tirunelveli. The story revolves around a young boy named Sivanaindham, the film's protagonist. Along with his friend Sekhar, Sivanaindham works during his school holidays carrying banana stalks, a task he dreads. The film poignantly captures his school life, family dynamics, aspirations, and the events of one particular day when he skips work—leading to a significant and life-changing incident.

Authentic rural setting

Set in the late 1990s, 'Vaazhai' vividly brings this period to life. Mari Selvaraj deserves praise for his meticulous recreation of that era. The opening scenes instantly transport the audience to South Tamil Nadu, not with idyllic images of lush fields but with the raw, unpolished visuals of dry ponds, overgrown weeds, and dusty village roads. The film immerses you in the rural landscape, making you feel as though you’re walking those very paths.

The young actors, Sivanaindham and Sekhar, carry the film on their shoulders, delivering performances that will leave audiences laughing and reminiscing about their own childhoods. Their antics, particularly a scene involving a Kamal Haasan-inspired clap, bring down the house in theaters. While the first half of the film focuses on school life, the challenges of capturing the authenticity of these scenes without straying into cliché are evident.

Acting

Nikhila Vimal, who plays a teacher in the film, delivers a standout performance, reminding us of that one beloved, kind-hearted teacher from our own school days. Her lively dance during the "Panchumittai Seelai Katti" song is particularly memorable.

Every character in 'Vaazhai' is perfectly cast and contributes to the film’s strength. Kalaiyarasan, though not dominating the screen time, makes a significant impact as a young man advocating for his rights. Divya Duraisamy, as Vembu, shines as the doting sister, adding emotional depth to the narrative.

A shocking climax

The second half of the film, especially the climax, is where 'Vaazhai' truly excels. As Sivanaindham rehearses for a school dance performance, he finds himself caught up in an unexpected turn of events that shocks the entire village and leaves the audience in tears. The climax is unpredictable and deeply moving, further emphasizing the importance of understanding the teachings of Ambedkar, which the film subtly touches upon.

Soul-stirring music

Santhosh Narayanan's music is a significant asset to the film. In addition to his original score, the inclusion of popular Tamil folk songs, such as "Manjalpoosum Manjalpoosum Vanchip Poonkodi" and "Thuthuvazhiyalai Araichu," enhances the rural ambiance, making the audience feel like they’re part of the village. The frequent shots of trains, chickens, cats, and goats further root the film in its setting, adding authenticity to the storytelling.

Mari Selvaraj's signature style

When it comes to capturing the essence of rural life and the events that shape it, no one does it quite like Mari Selvaraj. With Vaazhai, he masterfully transports us back to 1998, with stunning cinematography by Theni Eswar that brings the banana plantations, dirt roads, and village life to vivid life on screen. Despite the potential for success with a more commercially viable story akin to 'Pariyerum Perumal' or 'Karnan', Selvaraj stays true to his roots, delivering a film that is raw, real, and deserving of national recognition. There’s no doubt that 'Vaazhai' will be warmly received in rural Tamil Nadu.