Kashmir, with its unrivalled beauty and highly cultured people who create intricate crafts, is loved by all and claimed by many as their own. The namda, or sheep wool felt carpet, is a little-known Kashmiri art that is slowly gaining popularity. A namda is layered on top of a gabba, an everyday rug made of old blankets, in Kashmiri households, and both items are essential.
The Namda-Making Process:
Namda making is a centuries-old traditional craft that has been passed down from generation to generation in the valley. Namda is a type of rug made of felted wool that has been finely worked. Despite its importance, the traditional handicraft of Namda making is now on the verge of extinction for a variety of reasons. Namda is made in several stages and requires skilled craftsmanship that has been passed down through generations. Carding, creating the border, creating a layer, sprinkling soap solution, rolling the Namda, drying, and finally, the Aari work are all steps in the Namda-making process.
To begin, the wool is carded to remove impurities and fineness. The weaver decides on the border pattern and attaches it to the wool to create it. The main layer is started once the border is finished. The weaver chooses the colour and pattern of the Namda at this stage, carefully intertwining it with the wool. The felting process is started by sprinkling soap solution on the Namda. In the Namda-making process, this is where the magic happens. The wool fibres begin to bind with the other wool fibers, making the Namda more durable and long-lasting.
Finally, the Namda is rolled and dried before the Aari work, which is the intricate embroidery done on the Namda, is completed. This stage gives Namda an incredibly delicate form, transforming it into a work of art.
Current Challenges In Front Of Namda Weavers:
Despite Namda's exquisite beauty, the tradition is under threat because there are fewer skilled craftsmen with experience in this art form, according to a report by ANI. According to the news agency the Namda artisans are facing several challenges in the current times:
First, carpet modernization and the emergence of low-cost imitations contributed to its decline. As a result of modern trends, younger generations appear to be less interested in learning this ancient craft.
It is critical that we educate young people about this tradition and make them understand the importance of preserving this craft. It is also critical to increase demand for genuine Namda carpets, which are part of Kashmir's cultural heritage.
The loss of Namda would be a devastating blow to Kashmir's cultural heritage. If we allow this handicraft to die out, we will lose an intricate piece of art, a piece of our history, and a valuable addition to our economy. We must do everything possible to preserve and promote Namda's traditional craft.
Only by assisting artisans and providing opportunities for the younger generation to learn and carry on this art form can we ensure that it will continue to be an important part of the Kashmir Valley's rich cultural heritage for future generations.